西方美术史的绘画历程,经历了从视觉陷阱(Trompe-l’?il)的文艺复兴前的描写,到描绘自己亲眼所见的自然风景的印象派,又从梵高的表现主义、高更的象征绘画、塞尚的结构和谐画法到毕加索的立体主义,在认知表现上呈现了多个革新的轨迹。在近代绘画惊人的发展面前,以书画为主的东方往往慑于其魅力,容易为油画华丽的画面倾倒。然而,笔墨纸这个东方独到的文房之具和以书法为本的墨画的魅力,却与西画的魅力迥不相侔。沈勤以革新的技法在两者表现方式的悬隔之间,成功地创出冲击力与绘画媲美的墨画。纸白 The history of the western art history has gone through pre-Renaissance depictions of Trompe-l’Ili and the Impressionists that portray the natural landscapes that one sees with his own eyes. From Van Gogh’s expressionism, Gauguin’s A symbol of painting, Cezanne’s structure of harmonious painting to Picasso’s Cubism, in the cognitive performance showed a number of innovative trajectory. In the face of the astonishing development of modern painting, oriental paintings and calligraphies tend to be astonished at their charm and easily pour on gorgeous paintings. However, the charm of the oriental unique art of writing paper and calligraphy-based ink paintings is quite different from that of western paintings. Shen Qin with innovative techniques in the performance of the suspension between the two ways to create a successful impact and painting comparable to the Mexican painting. Paper white