解放前,林风眠在欧洲受过多年教育,回国后也一直与西方绘画打交道,他出入最多的社交场合是法文协会之类的组织,结交的也多是欧美人士,他的作品的买家也多是这些人。所以他在艺术趣味上更接近欧洲,面对自己本民族的传统文化倒是比较隔阂的。另一方面,由于从小所受封建宗族制度的迫害,在二三十年代他是一个坚定的反封建主义者,连带着对正统的文化思想非 Before the liberation, Lin had been educated for many years in Europe. After returning to China, he has also been dealing with Western painting. His most frequent social interaction is the association of French associations, mostly European and American people, and most of his works are buyers these people. Therefore, he is closer to Europe in terms of artistic taste and is more estranged in the face of his own ethnic traditional culture. On the other hand, he was a staunch anti-feudalist in the 1920s and 1930s due to the persecution of feudal clan system,