吴泽浩先生学于南国,成于北方。南方的婉约清丽,北方的豪迈粗犷溶铸了他的画风。吴泽浩先生在广州美术学院学习期间,深受岭南派名家关山月、杨之光等先生的艺术熏陶。走上工作岗位后,又历览祖国名山大川实地写生。他既有学院美术的深厚底蕴,又有紧跟时代勇于进取的精神,他的画是在不断发展变化中,逐步形成了自己独立的风格。吴泽浩先生注重把握绘画创作中的神与魂。不管是在他那粗犷之作、还是精密之作中,他时时处处不忘魂的体现。从而使作品耐读耐看,回味无穷。在《戚继光》一画中,他用红色、棕色着意渲染,使山岳般的戚继光的形象跃然纸上。戚继光手中拿的不是刀枪,而是一卷文节——向荷兰侵略者下 Mr. Wu Zehao learn in the South, into the north. South graceful graceful, heroic bold cast his style. During his studies at Guangzhou Academy of Fine Arts, Mr. Wu Zehao was greatly influenced by the art of the gentlemen of the Lingnan School such as Guan Shanyue and Yang Zhiguang. After taking his job, he also went through the sketches of the famous mountains and rivers in the motherland. He not only has deep knowledge of college art, but also keeps up with the courage to forge ahead in the times. His paintings are constantly developing and changing, gradually forming his own independent style. Mr. Wu Zehao pays attention to grasping the gods and souls in the painting creation. Whether in his rugged work or in his sophisticated work, he always does not forget the embodiment of the soul. So that the works of reading tolerance, aftertaste. In “Qi Jiguang” a painting, he deliberately rendered with red and brown, so that the image of the mountain-like Qi Jiguang vividly appeared on the paper. Qi Jiguang took the hands of not a knife and knife, but a roll of etiquette - under the Dutch invaders