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我国的现代漆画是在我国悠久的漆器传统基础上发展起来的,它既可以属于工艺美术的范畴,又可以作为一个新的画种具有工艺美术和绘画的双重属性。因此,漆画的创作除了要遵循绘画的一般规律之外,还要遵循漆画的特殊规律。在每一个艺术作品都有其独特的艺术特点,例如:中国国画,重在泼墨写意,笔情墨趣;版画中刀法不同孕育着不同的‘刀味’,漆画脱胎于传统的工艺美术,所以至今漆画仍带有很强的工艺特点,它外在的特有的色彩及其他画种无法表现出的效果,让无数艺术爱好者们为此而着迷。本文仅仅从漆画创作中色彩这一话题入手,引发一些由于东西方经济、文化、宗教的差异导致民族色彩的趋向,使艺术创作中存在着色彩差异性的问题。
The modern lacquer painting in our country was developed on the basis of the long tradition of lacquerware in our country. It can belong to the category of arts and crafts and can serve as a new kind of painting with the double attributes of arts and crafts and painting. Therefore, the creation of lacquer painting in addition to follow the general law of painting, but also to follow the special law of lacquer. Each piece of art has its own unique artistic features. For example, Chinese traditional Chinese painting focuses on ink-jetting and ink-on-hand writing. Different versions of the knife give birth to different knife flavors. The lacquer is born from traditional arts and crafts , So lacquer painting still possesses a strong technological feature so far. Its unique external colors and other types of paintings can not show the effect, so that numerous art lovers are fascinated by this. This article only starts with the topic of color in the creation of lacquer painting, which leads to the tendency of ethnic color due to the differences of economy, culture and religion between the east and the west, which causes the color difference in the artistic creation.