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《东邪西毒》和《春光乍泄》中的精彩已不复存在。《花样年华》开始令人失望,到《2046》在戛纳孤注一掷的失败,王家卫电影再也不是神话,尽管他离神话的巅峰曾经那么近。
The wonderful things in The Ashes of Time and Happy Together have disappeared. “The Mood for Love” began to disappoint. By the time of the “2046” defeat in Cannes, Wong Kar-Wai’s movie was no longer a myth, even though he was so close to the peak of mythology.