作者自述:写生的起初,本是单纯的对景或对人、随形也要遂意的过程,而面对自然和存在,在多数情况下不得不慎重。对于个人实践,任何事前事后整理的思想和文字,作为持续下去的动力没有问题,但作为经验而重复使用就值得怀疑了,即使只是对自己。重要的是,心机不能太重,在关于“写生”的说法太多的今天,我们的那些点数及其正反方面别人都可看出。问题在于,最后收拾完成的一幅画面,总是受一个人长久以来的学 The author’s self-statement: At the beginning of sketching, this is a pure process of contemplation or congenialism, but also connotative. In the face of nature and existence, in most cases, we have to be cautious. For personal practice, any ex post facto thoughts and words have no problem as a sustaining motivation, but being reused as experience is doubtful, even if it is for yourself. What is important is that the motivation can not be too heavy. As many people say about positives and negatives today as we talk about “sketching ”. The problem is that the final clean up of a picture, always subject to a person’s long history