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初识赵季平音乐是在《黄土地》中,翠巧的那首陕北信天游风格的《女儿歌》将那片黄土地的苍凉、厚重,以及蕴藏其中的精神、情感一齐根植于心。在这之后,赵季平的名字便和中国第五代导演紧紧的拴在一起,《红高粱》中《颠轿歌》、《酒曲》的酣畅淋漓;《菊豆》中埙乐在阴森的阁楼下飘出诡异、哀婉的乐音;《霸王别姬》中京胡在弦乐队的衬托下如泣如诉、委婉绵长;《炮打双灯》中大笛的独白与交响乐队的宣泄营造出色彩斑斓的情感世界……自20世纪80年代至今,赵季平以平均
First met Zhao Jiping music is in the “Yellow Earth”, Cuiqiao that letter of the Northern Shaanxi Xintiandi style of “daughter’s song” that piece of yellow land desolation, thick, and the hidden spirit, feeling all rooted in the heart. After that, Zhao Jiping’s name was closely linked with the fifth generation of Chinese directors. “Red Carolers” was the title of “Diao Song” and “Liqu” “Farewell My Concubine” in the Beijing-Beijing Hu band under the auspices of the ring, euphemism linger; “Cannon beats double lamp” flute in the monologue and the symphony orchestra to create a colorful Emotional world ... ... since the 1980s so far, Zhao Jiping average