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这次由正在卡蒂斯特艺术基金会驻地的比利安娜·思瑞克策划的展览显然并不拘泥于艺术的线性呈现。它以怀疑的姿态质询了在资本主义体系中作为一种标准化产品的展览本身。展览通过七位艺术家的作品、项目以及事件来玩味艺术的身份政治确认过程。与展览相关的一系列活动则在探索艺术系统缝隙之间的工作模式,质问建构在图像之上的艺术史中地缘政治刻板印象,以及其带来的
This time, the exhibition curated by Biliana Stryker, who is currently based at the Foundation for the Catherine Art Foundation, obviously does not stick to the linear presentation of art. It questioned in a skeptical manner the exhibition itself as a standardized product in the capitalist system. The exhibition uses the works of seven artists, projects and events to ponder the identification process of art identity politics. A series of events related to the exhibition are exploring the working patterns between the gaps in the art system and asking about the geopolitical stereotypes in the art history built on top of the images,