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本文所讨论的三原色理论是由绘画中得到启发,并对所认知的音乐基础理论进行另外一个角度的解释,试图找到该理论的合理性与可行性。其中包括从色彩结合中发现现代音阶;用大小调音阶和和弦进行反向论证等。
The three primary colors theory discussed in this paper is inspired by the painting, and interprets the cognitive basic theory of music from another point of view, trying to find the rationality and feasibility of the theory. These include the discovery of modern scales from the combination of colors; the reversal of arguments using size and chords.