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在当代,绘画现状可以简单地归纳为这样两点——即目的不甚明确的向传统回归,以及盲目地追随现代艺术时尚;在这当中,王林旭及其作品便更显现出其不同凡响的意义,因为,迄今为止,他一直执著于对自然、对现实生活的诗意性文化阐释,并坚韧地守望着现实文化精神和现实文化情怀。他行事上的素朴平实,其为艺之道一如为人,折射在他的作品中,可以看出他不变的良知及人性本质;重要的是,他在艺术创作中,始终保留着童年时期对乡村民间艺术形式,乃至理念的眷恋和恪守,据此,他在当代艺术语境中建立了自己鲜活和动态的视角,丰富与充实了自己的艺术形式和表现语言,他持之以恒的实践使他的绘画富含着全新的生机和清新的美感。
In the contemporary era, the status quo of painting can be simply summarized as two points - that is, the purpose of returning to tradition with a lack of clarity of purpose and blindly following the fashion of modern art. In this period, Wang Linxu and his works have become even more remarkable , Because, so far, he has been clinging to the poetic interpretation of nature and real life, and tenaciously watching the realistic cultural spirit and realistic cultural feelings. His simple and plain work, his art as a man, reflected in his work, you can see his constant conscience and the nature of human nature; what is important is that in his artistic creation, he has always retained the childhood His attachment and compliment to the folk art forms and ideas in the village, according to which he has established his own lively and dynamic perspective in the context of contemporary art, enriching and enriching his art form and expression language. His perseverance in practice His painting is full of fresh vitality and fresh beauty.