伊丽莎白一世时代的英国,市场经济的自由如点石成金的魔杖,创造了一个日不落帝国。同时,这个帝国被后人用伟大来描述时,莎士比亚是最光辉的名字。伟大帝国的光荣在《哈姆莱特》中变成了丹麦王宫的幽暗。以往学者们关注哈姆莱特形象的思想深度,忽视了沉默无语而善于行动的丹麦王子福丁布拉斯。两位王子都有着“复仇”的使命。“复仇”对于哈姆莱特来讲,激发的是思想和批判的力量,他是价值重构时代的旧体制中倡导美德和理想的文化焦虑者。对他而言,“复仇”是思想和道德批判的话语表达方式。福丁布拉斯是一位马基雅弗利主义者,他具有对时代的全局性洞悉和把握能力,“复仇”只是他能够拥有一支大众武装力量的合法性政治话语表达方式。他满足人民生存需求而达成了新的社会稳定和平衡。这个形象表达了莎士比亚站在历史的分水岭上,对贵族阶级分化选择的现实主义思考。莎士比亚赋予福丁布拉斯以行为话语为特征的政治表达方式,与哈姆莱特极具魅力的思想和道德话语的喧哗形成鲜明对照。莎士比亚在哈姆莱特的话语喧哗中,用死亡否定了文艺复兴以极端个人主义为终极的思想基础;而福丁布拉斯建立的新的国家权力基础的指向是明确的,那就是在“圈地运动”中失去一切的人民。莎士比亚两便士的戏剧证明,顺应民众、平衡利益、和平发展的君主立宪制在英国不是没有思想基础的。 Elizabeth in the era of Britain, the freedom of the market economy, such as gold and silver magic wand, has created a never-ending empire. At the same time, Shakespeare is the most glorious name when the empire is described by great descendants as great. The glory of the great empire became the gloom of the Danish royal palace in Hamlet. In the past scholars concerned about the depth of thought of Hamlet’s image, ignoring the silence of speechless and action-friendly Danish Prince Fu Dingbulaisi. Both princes have the mission of “revenge.” For Hamlet, it is the power of thought and criticism that he is the cultural anxiety of the virtues and ideals in the old system of value reconstruction. For him, “revenge” is a discourse of criticism of thought and morality. Fortin Blaus is a Machiavellian who possesses the global insight and grasp of the times. “Vengeance” is only a way of expressing his political legitimacy that he can possess a mass armed force. He fulfilled the needs of people’s survival and reached a new social stability and balance. This image expresses the realistic thinking of Shakespeare standing on the historical watershed and choosing the differentiation of aristocracy. Shakespeare gave Fortin Blues the political expression characterized by discourse of behavior in stark contrast to Hamlet’s charismatic thought and the hubbub of moral discourse. In Hamlet’s noisy discourse, Shakespeare’s use of death denied the ultimate ideological foundation of Renaissance with extreme individualism; the point of departure of the new national power foundation set up by Fortin Blaus was clear: Rodeo Movement "lost all the people. Shakespeare’s two-penny drama proves that constitutional monarchy that follows the people, balances interests, and develops peacefully has no ideological foundation in the United Kingdom.