中国不仅是一个歌曲大国,同时也是一个群众合唱的大国。各类歌曲的年产量可谓惊人,而各类群众合唱的参与者甚至数以千万计。近年来,业界关于群众合唱特殊性的论述虽然并不鲜见,比如基于群众合唱团的组织问题、声部平衡问题、音准问题、发声训练问题、曲目建设问题、作品排练问题,以及曲目改编和编配问题而提出的一些对策性研究。但我们认为,这些特殊性仅是一种显性的技术层面的特殊性。相比之下,对于群众合唱的文化、社会、美学等方面较 China is not only a big country of songs, but also a great country for mass choirs. The annual output of all kinds of songs can be described as amazing, and all kinds of mass choral participants even tens of millions. In recent years, there has been no shortage of discussions in the industry about the particularity of mass chorus. For example, the issue of mass choir-based organization, part balance, phonetic transcription, vocal training, track construction, rehearsal of works and reorganization of tracks Some problems raised by the allocation of some of the policy research. However, in our opinion, these particularities are only a dominant technical aspect. In contrast, the mass chorus culture, social, aesthetic and other aspects