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费丹旭作为清朝的一位画家,其社会地位以及绘画风格在当时的画坛是有一定的影响力。费丹旭不仅是一位仕女画大师,而且也是一位肖像画能手。“如镜取影,情神酷肖,汤雨生师在杭州时极为推重。”是蒋宝龄在《墨林今话》中对费肖像画的评价,由此可以看出其肖像画的精妙。其作品《皇叔挑耳图》可以看出作者的传神技巧是多么的高明。其代表作《东轩吟社图卷》可以看出费丹旭艺术构思丰富和组织力的高明。
Fei Danxu as a painter in the Qing Dynasty, its social status and style of painting in the painting circles at the time there is a certain influence. Fei Danxu is not only a master painter, but also a portrait master. “As a mirror to take pictures, love God cool, Tang Yunsheng teacher in Hangzhou is extremely heavy weight.” “Is Jiang Bao Ling in” Merlin “in Fei portraiture evaluation, we can see the exquisite portraits. His work ”Uncle Huang Shoulder map“ can see the author’s vivid skill is how clever. His masterpiece, ”East Hin Yin Tutu" can be seen Fei Danxu art concept of rich and organized smart.