本文根据王正华先生《〈听琴图〉的政治意涵:徽宗朝院画风格与意义网络》这篇文章中的第三部分,从评判“艺术真实”的不同标准出发,对《听琴图》与徽宗朝院画进行了简要分析。文章分别从对物象真实感、实物感的呈现,徽宗作为《听琴图》创作主导者的主观意志,《听琴图》作为真正艺术作品为观者所接受这三个方面展开,并且在文章结尾处对评判“艺术真实”的标准做了简单概括。 According to the third part of Wang Zhenghua’s political meaning of “Listening to Qinqin”: the article “Style and Meaning of Huizong Academy” Figure “and the Huizong Court Painting conducted a brief analysis. The article starts from the three aspects of the realism and the physical sense of the object, the subjective will of the emperor Huizong as the master of the creation of ”Listening to the Piano“ and the ”acceptance of the piano“ as the true works of art accepted by the viewer. At the end of the judge ”artistic reality " standard made a simple summary.