“母亲”这一形象在很长一段历史时期内都被男权话语禁锢在道德圣坛之上,而冰心作品中的“颂母”模式则使“母亲”回归于自然的人性,铁凝更是反叛传统通过严厉的“审母”关怀女性灵魂与精神成长。从“颂母”到“审母”是女性意识走向自觉并不断成熟发展的文学映照,本文以冰心与铁凝为例分析两种不同的母亲形象书写并探究其文化蕴涵。 The image of “mother” has been confined to the altar of morality by the patriarchal discourse for a long period of time in history, while the model of “mother song” in Bing Xin’s work returns “mother” to nature Human nature, Tie Ning is even rebellious tradition through strict “mother ” care for women’s soul and spirit growth. From “Ode to Mother” to “Mother to Oral Mother” is the literary reflection of consciously and continuously developing female consciousness. Taking Bing Xin and Tie Ning as examples, this paper analyzes two different images of mother writing and explores its cultural implications.