文化转轨·趣味嬗变·美学革新——新世纪中国电视剧叙事问题研究

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跨入21世纪以来,中国电视剧的叙事形态在文化转轨、媒介变迁等多重因素的驱动下发生了一系列显著的蜕变。叙事方式上,宏大题材和时代叙述逐渐被“轻逸”的叙事方式取代,商业化、娱乐化特征突出的“类型剧”占据了荧屏的主导;与此同时,在叙事节奏、叙事视角和审美趣味等方面,高密度的情节成为主流,叙事视角发生偏移,“网生代”趣味全面兴起……诸此种种,构成了对电视剧传统叙事美学的强悍冲击。本文从电视剧的叙事问题出发,寻觅我国电视剧的类型发展及渊源脉络,分析国产电视剧类 Since the beginning of the 21st century, the narrative forms of Chinese TV series have undergone a series of remarkable transformations driven by multiple factors such as cultural transition and media changes. On the narrative way, the grand theme and the narrative of the times are gradually replaced by the narrative way of “Light and Easy”, and the “type dramas” featuring commercialization and entertainment features occupy the leading position of the screen. At the same time, in narrative rhythm, Narrative point of view and aesthetic taste, the high-density plot has become the mainstream, the narrative perspective has shifted, and the interest in the “Net Generation” has risen in all directions. All these constitute the powerful impact on the traditional narrative aesthetics of TV series. This article starts from the narrative problem of TV series, looks for the type development and the origin of TV series in our country,
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