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本期刊发王进《陈氏家族到沈氏家族——西庄雅集背后的雅集文会传承》,作者由持续于明成化、弘治年间的西庄雅集入手,梳理吴地从陈氏家族到沈氏家族在书画史上的承续关系,发现元明代由世族网络联结起的艺文群体。他们将地域性的人文积累,自然气质与具体宗亲间的文化氛围,以及家族传承的审美习惯相融汇,形成共通的审美风尚。从陈汝秩、陈汝言到陈继、陈宽,再到沈澄、沈周,成为吴中最为重要的一条地域文学艺术的传承脉络,是综合了诗学、经学、绘画全面而连续的授受关系。这些文化世族在人生观、审美观和艺术观方面培育了吴派领袖人物,也对其艺术趣味和绘画风格产生了深远的影响。张铁华《杨钧与李瑞清的翰墨因缘》,论述了湖南籍书家杨钧与李瑞清的关系。杨钧于书法既深受李瑞清的影响,又能不为李氏所囿,有许多
The issue of Wang Jin, “Chen family to the Shen family - Xijia Ya set behind the literary heritage”, the author continued by the Ming Chenghua, Hongzhi years Xizhuang Yaji start to comb Wu from the Chen family To the Shen family in the history of painting and calligraphy continue the relationship found Yuan and Ming Dynasties by the family of the world network of arts groups. They integrate the regional cultural accumulation, the natural temperament and the cultural atmosphere between the clans and relatives as well as the aesthetic habits inherited by the family to form a common aesthetic style. From Chen Ru-rank and Chen Ruyan to Chen Ji and Chen Kuan, to Shen Cheng and Shen Zhou became the most important regional art and literature inheritance in Wu. It is a comprehensive and continuous relationship between poetry, classics and painting. These cultural clans have nurtured leaders of the Wu school in terms of outlook on life, aesthetic standards and artistic concepts, and have also had a profound influence on their artistic interest and style of painting. Zhang Tiehua, “The Reason of Yang Jun and Li Ruiqing”, discusses the relationship between Hunan writer Shu Yang Jun and Li Ruiqing. Yang Jun in the calligraphy both by the influence of Li Ruiqing, but also not for Lee, there are many