我在老年大学学习国画已有四五个年头了。虽然恍恍有些迟钝,但总算有所收获,有所感悟。最大的收获和感悟,莫过于认识到绘画跟世间万事万物一样,充满了哲理:即对立统一的规律。如果我们能自觉灵活地将这些哲理运用到绘画中去,我们的绘画水平势必会不断地提高,甚至有一个质的飞跃。绘画中究竟充满了哪些矛盾,又如何解决这些 I have studied traditional Chinese painting at a senior university for four or five years. Although some stumbling block, but finally some gains, some insight. The greatest gain and sentiment is to recognize that painting, like everything else in the world, is full of philosophy: the law of unity of opposites. If we can consciously and flexibly apply these philosophies to the paintings, the level of our paintings will surely continue to rise and even make a qualitative leap. What exactly are the contradictions in the painting, and how to solve these?