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随着风格学理论的不断发展与完善,迄今为止,风格学理论早以形成以“作品为本位”为研究视角的完备体系,成为对艺术史研究的重要方法。无疑艺术风格是随着艺术创作为基础延伸的代表性特点,是艺术家对于艺术风貌审美的独特体现,是人们对于艺术品位开拓的崭新视角。但由于风格学理论是经西方引入我国艺术领域,相应的风格学研究方法并不能被我国完美适用,存在一定的局限性,以中国美术史研究尤为突出。鉴于此,本文对我国美术史研究中的风格学理论的灵活运用展开探讨。
With the continuous development and improvement of style theory, so far, style theory as early as the formation of “work as the basis ” for the study of the perspective of a complete system, an important method for the study of art history. Undoubtedly, the artistic style is the representative characteristic extending along with the artistic creation. It is the unique embodiment of the artist for the aesthetic appearance of the artistic style. It is a brand-new perspective that people open up to the artistic taste. However, since the style theory was introduced into the art field of our country by the West, the corresponding methodology of style study can not be applied perfectly in our country, which has its own limitations. The study of Chinese art history is especially prominent. In view of this, this article explores the flexible application of the style theory in the study of the history of art in our country.