任何一门学科从产生到发展，都是以一定的阐释框架和方法论为基础的，也都是以阐释框架的转换与方法论的创新作为理论发展的重要源泉的，美学自然也不能例外。我国近百年美学所经历的曲折过程，其中的重大失误正在于：阐释框架与方法论上的迷失。我们知道，美学从诞生之日起就 Any discipline from generation to development is based on a certain framework of interpretation and methodology. Both of them are based on the explanation of the framework transformation and the methodology innovation as the important source of theoretical development. Aesthetics naturally can not be an exception. One of the major mistakes in the vicissitudes of our country’s aesthetics in recent centuries lies in the explanation of the lost framework and methodology. We know that aesthetics has been around since its birth