山水画的发展与时代关系密切,不可分割。作为生活于新时代下的艺术家,如果我们还是沉迷于描绘古人那种逃避现实、隐逸山野、风花雪月的内容,我觉得是不符合这个时代感觉的。艺术创作应该与时俱进,有时代痕迹。新中国成立后,涌现出一批紧密联系现实、为祖国大好河山立传的经典作品,如石鲁的《转战陕北》《南泥湾途中》、钱松喦的《红岩》、李可染的《万山红遍》《娄山关》等。对当代艺术家来说,我们不仅要发扬前辈“为祖国山河立传”的传统,还要在新时代环 The development of landscape painting is closely related with the times and inseparable. As an artist living under a new era, if we still indulge in depicting the ancients that escape the reality, seclusion of the mountains and romantic content, I think it does not meet the feeling of this era. Art creation should advance with the times, with traces of the times. After the founding of New China, there emerged a series of classic works closely linked to the reality and making great achievements in the motherland such as Shi Lu’s “fought in Northern Shaanxi” and “Nanniwan” en route, “Hongyan” of Qian Songyan, and Li Keran “Wanshan popular” “Loushanguan” and so on. For contemporary artists, we must not only carry forward the tradition of “predecessors for the motherland”, but also in the new era of ring