克洛德·西蒙对20世纪法国战争历史、大众生存的悖谬处境与战后工业文明的畸形发展进行了独特书写,其小说创作根植于西方文明深层的意识形态与心理结构,将人物的自我探寻与亘古的人类行为原型联系在一起,试图帮助现代人在混乱的历史中找到一种秩序与平衡。小说叙述者们通过持续地指向文化原型,既表达了人与社会环境的矛盾冲突,也融合了个体的独特性和人类经验的普遍性。本文以原型批评方法入手,从战争、女性、城市和自然等角度探讨西蒙小说对人类自我的关注和探寻。丰富的文化镜像和神话原型形成了一个稳定的集体潜意识中心,具有护卫人性自由和塑造生命情感的力量,同时带来了一种观察历史和评判生活的途径与智慧。 Claude Simon made a unique writing about the absurd situation of the 20th century French war history and public survival and the abnormal development of post-war industrial civilization. His novels are rooted in the deep ideological and psychological structure of Western civilization, Linked with the archetypal ancient human behavior, trying to help the modern man find a way and balance in the chaotic history. By persistently pointing to cultural prototypes, novel narrators both express contradictions and conflicts between human and social environment as well as the uniqueness of individuals and the universality of human experience. This article starts with the method of archetypal criticism and explores the concern and exploration of Simon novels about human self from the aspects of war, women, city and nature. Rich cultural images and mythological prototypes form a stable center of collective subconsciousness, with the power to defend human freedom and shape the emotions of life, and at the same time, bring about a path and wisdom for observing history and judging life.