艺术家使用混凝土作为最主要的材料,创造出一系列具有雕塑感的作品,这些作品分别以点线面的不同方式串联起画廊的多个空间,意象上彼此呼应。作品中的混凝土呈现其自身,通过转化为各种建筑意象后的反日常形象展现在我们面前,同时与瓷砖、铁丝、鱼缸、仙人掌等事物产生各种组合,制造出一种间离于生活经验的荒诞感,我们得以在其中反观自身,比如《盆栽》里的迷你高楼,《香皂》中的大面积瓷砖墙体,《比重》中楼体意象的呼之欲出。一些生命的迹象穿插在作品中,并非试图消解混凝土冰冷的直观气质,更没有释放出任何的生命力,而是作为象征物与混凝土本身形成视觉上的高度反差,共 Using concrete as the primary material, the artist creates a series of sculptural compositions that, in different ways, point and line, join together in multiple spaces of the gallery, echoing each other in imagery. The concrete in the work presents itself, presented in front of us through an anti-daily image transformed into various architectural images, and various combinations with things like tiles, wire, aquariums, cactuses and the like to create a mixture of life experiences In the absurdity, we can reflect on ourselves, such as the mini-tower in “potted plants” and the large-area ceramic tile wall in “soap”. Some signs of life interspersed in the works, not trying to dispel the concrete cold and intuitive temperament, but did not release any vitality, but as a symbol and the concrete itself to form a visual high degree of contrast, a total of