在中国绘画史上，东晋大画家顾恺之提出的“传神”论，代表着中国绘画艺术的彻底觉醒。他的“迁想妙得”、“传神阿堵”、“置陈布势”等重要主张，直到今天，仍为艺术创作所沿用。除其《洛神赋图卷》、《女史箴图》等人物画影响百代外，他的《画云台山记》、《魏晋胜流画赞》 In the history of Chinese painting, the “expressiveness” theory put forward by Gu Kai-zhi, a great painter of the Eastern Jin Dynasty, represents the complete awakening of the Chinese painting art. His important ideas such as “Wonderful Movements,” “Expressing Acts and Acting in Cloth,” and “Settlements and Bougainvillea” are still used for artistic creation today. In addition to his “Luo God Fu map volumes”, “Female History Pro” and other portraits affect the 100 generation, his “Yuntai Mountain in mind”, “Wei Jin Shengli like painting”