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两个看似不搭界的展览,一个是今日美术馆展出的“漂流档案”．展示艺术家曾经的“圆明园方式”尘封之后的“述说”;一个是孔画廊展出的“游园”．展示艺术家有关“园林”和“公园”景观的臆想．是不约而同的“梦呓”。关乎着时间．也关乎着空间。我想这或许也许是中国当代艺术挥之不去的纠缠——幕起幕落之间的个人历史与集体记忆,不只在乎群居与独处的生活方式．也不只在乎文人花园与人民公园之间私人性和公共性的撞击和杂糅．在乎的是欲说不明还休的情怀。一个“园”字．两种言说．却也在清晰地见证着中国当代艺术前世今生的承续和转换。
Two seemingly non-border exhibitions, one is the Museum of Today’s display of “drifting files.” The artist’s once described “Yuanmingyuan Way” dusty after the “narrative”; one is the Gallery Gallery exhibition “Garden.” Showcasing the artist’s imagination about “landscape” and “park” landscapes. Is a spontaneous “dream 呓.” It’s about time. Also related to space. I think this may be the lingering entanglement of Chinese contemporary art - the personal history and collective memory between the curtains and the curtains, not only about the way of living in groups and alone. Nor does it care only about the impact and mixing of the private and public nature of the Scholar’s Garden and People’s Park. Care about the feelings of not knowing how to rest. A “garden” word. Two kinds of speech. It is also clearly witnessing the continuity and transformation of the past and present life of Chinese contemporary art.