近年来,杂志、书报日益重视版面编排的设计艺术,出版界重视研究版面的易读性”,内容的“可读性”以及图片的“可视性”,这是一个“觉醒”。版面编排的科学性要求考虑读者的生理、心理和人体工程学上的一些因素,一般可称之为“群众视觉美感的创造”。据有关史料记载,本世纪20—30年代就有EI·利基斯基(EI·Lissitzky)、T.V杜斯博格(TheoVan Doesbury)、J·伊顿(JohemesItten)和M·那吉(Moholy Nagy)几位设设计家,曾推动新造型主义和包豪斯的艺术风格向过时的分离主义(Secession)、新艺术主义(Art Nouveau)和青年风格(Jugend stil)挑战,用几何形结构、二度空间开创了一种新颖的、吻合时代精神的形与色。第二次世界大战后, In recent years, magazines and periodicals have paid increasing attention to the design art of layout, and the publishing industry has paid much attention to the readability of the layout, the readability of the content, and the visibility of the image, which is an awakening. Orchestration of the scientific requirements to consider the reader’s physical, psychological and ergonomic factors, generally can be called “the creation of mass visual beauty.” According to historical records, this century 20-30 years have EI · niche EI Lissitzky, TheoVan Doesbury, JohemesItten and Moholy Nagy, have pushed the art of new styling and Bauhaus Style challenges the outdated Secession, Art Nouveau and Jugend stil, creating a new shape and color that is in keeping with the spirit of the times, using geometric structures and second-degree space. After World War II,