论文部分内容阅读
作为新中国山水画革新的代表人物,李可染(1907-1989)的山水画画意新颖,通过在写生中挖掘新的笔墨语言,形成了光效丰沛、墨气氤氲的美学特征,极大地推动了传统山水画的现代转型。《蜀山春雨》创作于1959年,画幅虽小却饱含了作者的意匠经营。作品采取一定的俯瞰角度让画面在较大视角下展开,同时为了追求雄峻的气势将远山距
As a representative of the reform of landscape painting in China, Li Keran (1907-1989) is a novelist in the landscape painting. Through the exploration of new brush-and-ink language in sketch writing, he formed the aesthetical feature of abundant light and ink, greatly promoted the traditional landscape painting Modern transformation. “Shushan Spring Rain” was created in 1959, the picture is small but full of the author’s craftsman. Works to take a certain degree of overlooking the perspective of the screen to start a larger perspective, at the same time in order to pursue the magnificent momentum will be far mountain distance