2005年是世界电影诞生110周年,中国电影问世100周年。在这样一个值得广大电影工作者和电影爱好者合掌欢庆的时刻,国内有些学者提出了一个振聋发聩的“恐怖”命题:电影艺术“即将走向终结”。①他们认为在全球化背景下,高科技的迅猛发展在为电影艺术带来新的美学效果的同时,也悄 2005 is the 110th anniversary of the birth of the world movie, the 100th anniversary of the advent of Chinese films. At a time when such a film meritorious delight is worth watching, the domestic scholars put forward a “horrifying” proposition: the art of film is about to come to an end. ① In their opinion, in the context of globalization, the rapid development of high technology has brought a new aesthetic effect to cinema art as well.