长期以来,论及戏曲研究,学界的眼光和视野往往着眼于古典文学之下的戏曲作品研究和王国维开创研究范式的戏曲史研究。虽然建国以来戏曲研究朝着立体式的方向发展,戏曲文物、戏曲剧种、戏曲音乐、戏曲教育等研究成为戏曲研究的新领域,而且已有大量成果面世,但他们在传统的戏曲研究中仍属于一小部分。而正是这些各种各样的小剧种、五花八门的剧目、生动的舞台表演以及剧团活动等微观因素才构成了中 For a long time, on the study of opera, scholars’ eyes and field of vision often focus on the study of opera works under classical literature and Wang Guowei’s opera history research paradigm. Although the study of drama has developed in a three-dimensional manner since the founding of the People’s Republic of China, the study of opera relics, drama operas, opera music and drama education has become a new field of drama research and a great deal of achievements have been made. However, they still belong to the traditional drama studies a small part. And it is these various kinds of small drama, a variety of repertoire, lively stage performances and theater events and other micro-factors in the composition