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从“族群”与“民族”的同一性及差异性,认识到“学院派”中国民族民间舞教学当立足于“民族”文化背景下的“族群文化”之建构,寻找的文化根基应当是民间舞“族群文化”、“地域文化”、“民间文化”的认同,应当建立在构成宏观“民族”的微观“族群”视角上,这种视角表现在重视对微观地域文化、族群文化、民间文化的把握,而不仅仅是意识形态层面的“民族文化”之“大传统”的凝练,让宏观的凝练建立在务实的微观基础上,微观的发展则不脱离特定民族的范畴。
From the unity and difference between “ethnic group” and “ethnic group”, we recognize that “ethnic group culture” under the “ethnic ” cultural background The construction of culture and the cultural foundation of seeking should be the identification of folk dance “ethnic culture ”, “regional culture ” and “folk culture ”, which should be based on the macro “ethnic From the perspective of perspective, this perspective is manifested in the emphasis on the micro-regional culture, ethnic culture, folk culture, not just the ideological level ”national culture “ ”big tradition " concise, so that the macro Consolidation is based on a pragmatic micro-foundation, and micro-development is not divorced from the category of a particular nation.