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在莎士比亚十四行诗这样一个由真、善、美以及情交织而成的诗意的空间里,商业气息也以商业化的语言和意象弥漫其中。此文运用新经济学批判,就商业气息尤为浓厚的前17首诗和第134-136首诗中的放高利贷者形象进行分析,并兼顾其它诗篇,就莎士比亚十四行诗中真与美的表里关系,纯洁友情与肉体爱欲的轻重关系,繁衍子孙与诗歌创作的对比关系,以及商品经济与情感世界无法等量化的复杂关系,作出探索,并对十四行诗中的“真善美”和“情”的主题有更深刻的解读。
In a poetic space like Shakespeare’s Sonnets, which is a combination of truth, kindness, beauty and love, commercial aura is filled with commercialized language and images. Using the critique of neo-economics, this essay analyzes the images of the top 17 loaners and the usurers in the 134-136 poems, especially in the commercial atmosphere. Taking into account other poems, the article analyzes the true and the beautiful in Shakespeare’s Sonnets The relations between innocence, pure friendship and physical love, the comparative relations between multiply and descendants and poetry creation, the complex relationship between commodity economy and the emotional world can not be explored, and the “truth, goodness and beauty” “And” love "theme has a more profound interpretation.