在贝克特的小说《莫洛伊》中,莫兰先是具有鲜明的“象征界”特征,接到寻找莫洛伊的命令后就开始像耶稣一样遭受殉难;在寻觅的旅途中,他的自我逐步退化成莫洛伊的模样。通过与路人A和C的相遇,隔离在两部分叙事中的莫兰和莫洛伊也构成了令人沮丧的镜像关系。笔者认为,该小说展现的是由“家庭三角”定义的“婴儿主体”的身份在昏暗的镜面中的复杂反射。 In Beckett’s novel Molloy, Moran first had a distinctive “symbolic” character. Upon receiving the order to find Molloy, Moran began to suffer the same martyrdom as Jesus. During his search, he The self gradually degenerated into Molloy’s appearance. Through encounters with passers-by A and C, Moran and Molloy, isolated in two narratives, also constituted a depressing mirror image. In the author’s opinion, the novel shows the complex reflection of diminished mirror as the identity of the “infant subject” as defined by the “family triangle.”