连歌是格调高雅、古典式的诗。其后,连歌渐渐被一种称作“俳谐”的幽默诗而代替。俳谐和连歌一样,也是由十七音和十四音的诗行组合的诗。因为俳句的翻译一直都是有争议的话题,本论文笔者试着采用自由体,做到不失愿意的手法,对室町时期比较有代表性的俳谐作品进行翻译和鉴赏。 Even the song is elegant style, classical poetry. Later, the song was gradually replaced by a humorous poem called “Harmony”. Harmony and even the same song, but also by the seventeen sound and fourteen sound poem combination of poetry. Because haiku translation has always been a controversial topic, the author of this thesis tries to translate and appreciate the representative works of Harmony in Muromachi period by adopting the free-agent approach.