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传统文化是民族文化的核心本质,是一个民族归属感与人民寻找认同感的源头,现代美学需要从传统文化中汲取养分才能有属于自己的辨识度,否则便会迷失在文化后殖民主义的侵蚀中。但美学是随着社会生活方式的发展在不停演变的,不同时期的人类社会有不同的审美观念,因此传统文化的展现也需要与时俱进,这样才能被现代人类所接受,否则很容易就被沦落为非物质文化遗产。现代美学的设计理念在应用过程中要如何才能表现出传统文化的精髓是尤为值得设计师们思考的命题。而藏族文化作为中国传统文化的重要组成部分,正被世界所关注,因此本文以藏式文化为例,探讨藏式风格的视觉设计在现代美学中的应用。
Traditional culture is the core essence of national culture, the source of belonging of a nation and the identification of the people in search of identity. Modern aesthetics needs to draw nutrients from traditional culture to have its own identification, otherwise it will be lost in the cultural erosion of post-colonialism in. However, aesthetics continues to evolve along with the development of social lifestyles, and humankinds have different aesthetic conceptions in different periods. Therefore, traditional culture needs to be advancing with the times so that it can be accepted by modern humans. Otherwise, it is very easy It was reduced to an intangible cultural heritage. How to show the essence of traditional culture in the process of application of modern aesthetics is a proposition that designers should think about. As an important part of Chinese traditional culture, Tibetan culture is being paid attention to by the world. Therefore, this article takes Tibetan culture as an example to explore the application of Tibetan visual design in modern aesthetics.