现代复调和声的基本原则,总的来说是由现代和声总的基本法则所决定的:“在音响上最合乎理想的”不协和和弦可以作为基本和弦的组成因素;有鉴于此,分散为相应的几个部分“最合乎理想的和音”的音程是各声部音程结合的复调标准(同例10之后所概括的严格写法规则对照);由于各声部复调的变化而形成和弦的“分散”与混合;新的和弦之中的每一个和弦都能成为旋律运动的轮廓;单声部中的和声是根据总的风格规律构成的;和弦构成类型的区别,以及复调音程变化大小的特点,归根结底是由不同的具体和声风格特点所决定的。一言以蔽之,现代复调和声同古典复调音乐中的和声是相同的,但它只是根 The basic principles of modern polyphony are generally determined by the general rules of modern harmony: “Most ideally acoustically” chromatic dissonance can be a component of the basic chord; in view of this, decentralization The “most desirable harmony” interval for the corresponding sections is the polyphonic combination of the intervals of the individual voices (strict rules of rules as outlined after Example 10); the chord changes due to the polyphony of the voices The “dispersion” and mixing of the new chords; each of the chords in the new chord can become the outline of the melodic movement; the harmony in the monophone is based on the general style of the rules; the difference between the chord formation types and the polyphonic pitch The changing size of the characteristics, in the final analysis is determined by the different characteristics of specific harmony style. In a nutshell, the harmony of modern polyphony is the same as that of classical polyphony, but it is only root