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《常·藏·场》是一个充满了形而上学思辨气息的展览,它在问题中开始,又在问题中结束,在中国当代雕塑的已有展览中,让人耳目一新,在此之前,我们似乎还很少见过这种类型的展览。这个展览的新颖和独特之处在于,它以充满智慧的方式,设置了一个“常”“藏”“场”的综合性、丰富性的展览现场,同时,这也是展览的策略。这个现场连接和打通了雕塑所涉及的各种基本问题,以“移步换形”“躲猫猫”
Chang Hsien and Hsien is an exhibition full of metaphysical speculative atmosphere. It starts in the problem and ends in the problem. It is refreshing in the existing exhibition of the contemporary Chinese sculpture. Until then, we also seem to have Rarely seen this type of exhibition. The novelty and uniqueness of this exhibition lies in the fact that it provides a comprehensive and rich exhibition site of “Chang ” “Tibet ” “Field ” in a smart and intelligent way and is also an exhibition Strategy. This site connected and opened up the various basic issues involved in sculpture to “Step by step ” “hide and seek”