长期以来,武术技击本质论限制了对套路审美特征的认识与探索,人们在是否保留套路中技击的问题上争得面红耳赤。研究认为:现代社会武术唯技击的发展是行不通的,相反甚至有人认为技击就不属于武术范畴;套路阻碍武术技击性,因此,要想发展套路就要弱化技击;撇开“武术属于体育,但高于体育”的矛盾阐述,放手将武术以体育的模式发展;应肯定武术套路的艺术形式,并用艺术的审美眼光,摆脱技击的绝对束缚,任其自由创新发挥。最终将高度发展的套路艺术作为代表武术吸引全世界的眼球,并以此为契机,饮水思源,使他们对中华传统武术产生浓厚的兴趣。 For a long time, the essence of martial arts martial arts theory has limited the understanding and exploration of the aesthetic characteristics of the routine. People won over the issue of whether to keep the martial arts in routine. The research thinks that the development of Wushu only in modern society does not work well. On the contrary, some people even think that Wushu does not belong to Wushu category. Routine hinder Wushu’s tacticality. Therefore, But higher than the sports "paradoxical elaboration, let go of the martial arts to sports model; should be affirmed the art form of martial arts routines, and with the artistic aesthetic vision, get rid of the absolute shackles of martial arts, allow them to free innovation and play. Eventually, the highly developed routine art will attract the world’s attention on behalf of martial arts and use it as an opportunity to absorb the source of the water and give them a strong interest in traditional Chinese martial arts.