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一、“恢复时期”:新中国喜剧片创作的第二波高潮黄建新认为:由于受中国传统文化正统观念的影响,长期以来,正剧一直都是中国银幕的主导样式。(1)然而,倘若回顾一下中国电影早期的历史,我们就会发现,中国电影的喜剧性几乎与生俱来。早在1912年,中国最早的故事片《难夫难妻》和《庄子试妻》就在把叙事引入电影的同时,也把喜剧元素引入了电影。(2)1922年,上海明星公司相继拍摄了《滑稽大王游华记》和《劳工之爱情》
First, the “recovery period”: the second wave of new Chinese comedy creation Huang Jianxin thinks: Due to the orthodox concept of traditional Chinese culture, the drama has long been the dominant style of Chinese screen. (1) However, if we look back to the early history of Chinese films, we will find that the comedy of Chinese films is almost inherent. As early as 1912, the earliest feature films in China, Difficult Woman and Chuang Tzu’s Wife, introduced the element of comic into the movie while introducing narrative into the movie. (2) In 1922, Shanghai Star Company successively filmed the title of “King of Kings in Traveling China” and “Labor Love”