正如两极相遇,雅俗相争,原始、文明,柔情与残忍交织共存;红与黑,传统与革命,这两种对立的趋势与色泽,如白天、黑夜,在法兰西的精神气质中,相克相生,转换轮回。到了19世纪下半叶,法国文学史上又出现了巴尔扎克、司汤达和雨果这三位代表人物。先说说巴尔扎克和他的代表作《高老头》。巴尔扎克几乎和《高老头》中的主人翁拉斯蒂涅一样,“在青年时代就来到了巴黎,贫穷而孤独,他是被不可抗拒的作家天职、赢得盛名的希望吸引到巴黎的。”再说《高 As the two poles meet, the struggle between elegance and vulgarity, primitiveness, civilization, tenderness and cruelty coexist; redness and blackness, tradition and revolution, the two opposite trends and colors, such as day and night, in the spiritual temperament of France, Convert reincarnation. By the second half of the 19th century, the three representative figures of Balzac, Stendhal and Hugo appeared in the history of French literature. Let’s talk about Balzac and his masterpiece, “The Old Man.” Balzac is almost as old as Rustyne, the elder of the “old man.” “He came to Paris in his youth and was poor and lonely. He was drawn to Paris by the victorious prestige of his writer and his prestigious hopes. ”Say again" high