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对戏剧艺术的时空结构等美学特征的衡量,一直处在不够充分的境地中。尤其在同为时空叙事艺术中最具表现力的门类——电影诞生以后,人们很容易根据自己的观赏经验,得出电影的表现力超过戏剧的结论。戏剧的时空结构是单一、封闭的,而电影则是开放、自由的;以矛盾冲突为核心的叙事方式是属于戏剧的,而电影则不必依赖高强度的叙事技巧等等观念,似乎已经成为约定俗成的共识。
The measurement of aesthetic characteristics such as the space-time structure of theatrical art has always been in an inadequate position. Especially in the same expressive category of time and space narrative art - after the birth of the movie, people can easily learn from their own experience, come to the conclusion that the performance of the movie over the drama. The space-time structure of the drama is single and closed, while the movie is open and free. The narrative mode with the conflict as the core belongs to the drama, while the movie does not have to rely on the high-intensity narrative skill and so on, which seems to have become the custom Consensus.