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中国文学传统悲剧凡事总以“大团圆”为结局，反映着人们对诸事的美好的善良的愿望，这种结局和愿望是一种复杂的民族文化意识的映射。“五·四”时期，由于外来思潮的不断涌入，国内社会矛盾的不断加剧，中国传统悲剧为之一变，以反“大团圆”为特征，“大胆地看取人生，并且写出他的血和肉来”的悲剧创作盛极一时。这种文学现象是与中国社会对文学的要求有着极为密切的内在联系，具有鲜明的时代特点。
The traditional tragedy of Chinese literature always ends with a “happy reunion”, reflecting people’s good and kind wishes toward all things. This ending and aspiration is a complex mapping of national cultural awareness. During the “May 4” period, due to the continuous influx of foreign thoughts and the intensification of domestic social conflicts, the traditional Chinese tragedies were one of them and were characterized by their anti-“happy reunion.” They dared to take a bold look at his life and write out his Blood and meat to "tragedy creation very moment. This phenomenon of literature is closely linked with Chinese society’s demand for literature and has distinctive characteristics of the times.