中国绘画发展的长河中,求神似而非形似的理念贯穿始终,以意撼人是中国绘画中非常重要的理念。虽然工笔画相较于写意画更为写实,但我们不能否认“写意精神”始终贯穿着中国工笔画的发展历程,是工笔画的重要思想。 In the long history of the development of Chinese painting, the idea of ​​seeking a similar but not the same shape runs through it all the time, in order to shake people is a very important concept in Chinese painting. Although photographic strokes are more realistic than freehand brushwork, we can not deny that “freehand brushwork” always runs through the development of Chinese brush strokes and is an important idea of ​​brush strokes.