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本文以抗战后期的1945年1月于陪都重庆举行的“现代绘画联展”为切入点,探讨中国的现代主义绘画在战争时期的处境和存在方式,尝试对抗战美术史叙事进行适当的修正。研究中,主要考察参展艺术家林风眠、倪贻德、庞薰琹和关良在战时的创作和艺术活动,在可能范围内对此次展览进行图像性还原再现。在此基础上,探讨“现代绘画联展”的性格以及由此反映出的中国现代主义绘画的内在转变,并对现代主义在中国的范畴和意义做出分析。
Based on the “Modern Painting Exhibition” held in Chongqing in January 1945 in the late period of the War of Resistance Against Japan, this article explores the situation and existence of modernist painting in China during the war and tries to make appropriate amendments to the narrative of art history in the war of resistance against Japan . In the study, the exhibition mainly explored the creative and artistic activities of participating artists Lin Fengmian, Ni Yide, Pang Xun 琹 and Guan Liang during wartime, and carried out the image reproduction of the exhibition to the extent possible. On this basis, we discuss the character of “Modern Painting Exhibition” and the inherent transformation of Chinese modernist painting reflected by it, and analyze the category and meaning of modernism in China.