论文部分内容阅读
我喜欢书法,也喜欢看书法,但三十多年来展览体越来越让人头疼,它不是让人在书法技艺中获得品质的提高,而是重新陷入一种新的藩篱。我和雪松兄神交已久,很多时候只是在滨州匆匆一站,接着便离开,常常因此错过一见。所谓姻缘机巧自然相见,去年十月约好见面,果不其然,雪松兄如大哥质朴真诚扑面而来,寥寥数语,已知胸怀开阔无余。雪松兄的书法跌宕起伏,令人神摇炫目的笔墨,如诗句干净利落,清新之气在宣纸上摇曳生
I like calligraphy and I like calligraphy. But for more than 30 years, the exhibition has gotten more and more troublesome. It is not for people to gain quality improvement in calligraphy but to regain a new hedge. I and Cedar Brothers have long been deities, often just a stop in Binzhou, and then left, often so missed. The so-called marriage skillfully meet each other, agreed to meet in October last year, of course, Cedar brother as simple and sincere blowing his brother, a few words, known to be open-minded. Cedar brother calligraphy ups and downs, people shine dazzling writing, such as verse neat, fresh air swaying rice paper