中国木刻图画，从唐到明曾经有过很体面的历史——鲁迅 “木刻”一词,最早见于《春秋庄二四》中“金谓之镂,木谓之刻”。原始木刻之渊源则可上溯到殷商的“甲骨文”,这些所刻之兽骨被视作“是后世简册的雏形”(罗福颐《关于殷墟甲骨的一般知识》)。而木刻雕版印刷术的发明年代,据东晋葛洪《抱朴子》中谈及用枣木镌刻符印的记载,当是在东汉。唐咸通九年刻印的《金刚经》扉画线纹流畅、遒 Chinese woodcut pictures from the Tang to the Ming once had a very decent history - the word “woodcut” of Lu Xun, which was first seen in “Chun Wu Zhuang Si Si”, “The Golden Meaning of the Wood and the Wood.” The origins of primitive woodcuts can be traced back to the “Oracle” of Shang Dynasty. These carved bones are regarded as “the rudiments of a later simplified book” (Luo Fuyi’s “General Knowledge about the Oracle Bone of Yin Ruins”). The era of woodcut engraving printing, according to the Eastern Jin Ge Hong “Baopuzi” talked about with date wood engraved symbol records, when it is in the Eastern Han Dynasty. Tang Xian Tong nine engraved “Diamond Sutra” Fei Fei filigree lines smooth, 遒