构建中国式现代演剧体系是一代代戏剧先驱不断探寻的理想,也仍是当下戏剧工作者共同的目标。本文从焦菊隐和黄佐临的观念对比入手,论述进入当代后最具代表性的两位戏剧家实践此一理想的殊途与同归。 The construction of a Chinese-style modern theater system is an ideal constantly explored by generations of theater pioneers and a common goal of present-day theater workers. This article starts with the comparison of the conceptions of Jiao Juyin and Huang Zuolin, discussing the two representative dramatists entering the contemporary era to realize the ideal and the same goal.