一、吴氏大片的再次滑铁卢吴宇森首次触碰到《太平轮》的故事是在同为《赤壁》制片人的张家振那里,可它的故事毕竟与《赤壁》不同。《太平轮》采用经典三段式戏剧结构,其情节推进和情感机制是连贯得水到渠成,沉船是人物命运交织和情感爆发的介质,是故事主体,但在上篇中并未出现这一戏剧高潮,观众势必会不满足,产生“船去哪儿了”的质疑。而笔者认为关于影片的一些恶评也正基于此。以登船前后作为分割上下部的做法的确显得 First, Wu’s blockbuster Waterloo John Woo first touches the “Taiping” story is in the same as “Chibi” producer Zhang Jiazhen there, but its story after all, and “Red Cliff” is different. The “Taiping” adopts the classic three-stage drama structure. Its plot promotion and emotional mechanism are coherent, and the shipwreck is the mediator of the fate and emotion of the characters. It is the main body of the story. However, the drama climax did not appear in the first part , The audience is bound to be dissatisfied, resulting in “Where did the ship go” question. And I think some of the bad reviews on the film is based on this. The practice of dividing the upper and lower parts before and after boarding does appear