小说《中国式离婚》“全景式”地浓缩再现了中国当代家庭的婚姻状况,与钱钟书的《围城》一样,都反映了婚姻与生活的事愿乖违。《围城》中的事愿乖违充满偶然性、巧合性,具有明显的悖谬和荒诞色彩;《中国式离婚》中体现的事愿乖违,多是当事人之间缺少沟通、故意隐瞒、掩盖导致,不具有荒谬性,而具有现实性、伦理性。 The novel “Chinese-style divorce” and “panoramic style” enrich and reproduce the marital status of contemporary Chinese families. Like Qian’s “Siege of the Besieged City,” all reflect the wronged marriage and life. The behavior of encircling the city is full of chance and coincidence, with obvious absurdity and absurdity. The things that are reflected in the “Chinese-style divorce” are often behaved in a way that is mostly lack of communication between the parties and deliberate concealment or concealment, Not ridiculous, but realistic and ethical.