“口语写作在当下还有可能吗?”“口语写作还能像80年代那样具备勃勃生机吗?”进入90年代,这样的疑问几乎遍存每一个对中国诗歌心存关怀的人们心里。 对于80年代口语写作的批判,西川的“厌倦说”(“从1986年下半年开始,我对用市井口语描写平民生活产生了深深的厌倦”)和欧阳江河的“失效说”(“与相对的城市平民口语诗的写作,以及 “Is it possible for spoken writing to be written right now?” “Spoken writing can be as vigorous as it was in the 1980s?” Into the 90s, such questions almost everywhere in the hearts and minds of Chinese poetry. Criticism of oral writing in the 1980s, Nixon’s “Tired of Saying” (“I started to feel deeply tired of portraying civilian life in the marketplace from the second half of 1986”) and “Ineffective Saying” in Ouyang River Relative to the writing of urban civilians spoken poetry, as well