日暮苍山远,天寒白屋贫。柴门闻犬吠,风)夜归人。———刘长卿:《逢)宿芙蓉山主人》古人作诗,妙处在于运笔“必此诗”形似)与“非此诗”神似)之间,不即不离,不粘不脱,情在言外,旨冥句中,方可称为上乘之作。在“意”和“形”的塑造方面,诗歌与绘画虽各有胜场,但是“文者无形之画 Dusk Cangshan far, poor white house poverty. Chai Wen heard barking, the wind) Return to the people at night. --- Liu Changqing: “every”) Lord of the Mount Fu Rongshan “Ancients poem, the beauty lies in the transport of” must this poem “shape) and” non-poem "similar), not leave the same, In other words, the purpose of the sentence, before being called superior. Although poetry and painting have their own victories in shaping the meaning and the shape,